Pioneer filmmaker J. Stuart Blackton was intrigued by the idea of a film about the history of the movies as early as 1915. He finally released a 52-minute feature called The Film Parade that was shown in New York and favorably reviewed by "Variety" in 1933. He continued tinkering with the film for the rest of the decade, and later filmmakers and distributors used Blackton's footage for stock or to produce their own variously titled and truncated versions. -UCLA Film & Television Archive

Kaori is a very popular idol singer. She is just finishing her first live tour. However, this innocent-looking girl hides a secret that makes her not-so-innocent. If word of Kaori's secret ever gets out, her career will be finished.

Scrappy and his mongrel try to attend a for purebreds only dog show- but are thwarted by a security guard.

The story of eight women and how they served their country during World War I.

An evening at a night club for penguins, (and a walrus or two). The stage show includes an appearance by a penguin incarnation of Bing Crosby, who sings a jazzy version of, "When my dreamboat comes home". The band's three singers do a scat version as well. This is followed by a full swing band instrumental of the song which works the band into a "Hot Jazz" frenzy, literaly melting some of the instruments.

A popular network morning host finds herself humiliated on the air by her fiancé and disappears to a small town. While there, she helps a budding artist save a community art center for the town's kids, by helping them with their float for the annual Christmas Parade.

A famous playwright's life is turned upside down when she is forced to look at the choices she has made.

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A compilation film taken from fight-clips of the International Boxing Club. The film has sports-announcer Bill Corum prefacing and narrating clips from top boxing bouts of the past. Featured is the upset by "Jersey Joe" Walcott over heavyweight champion Ezzard Charles, and "Sugar Ray" Robinson winning over "Rocky" Grazianno. Also shown are fights between "Rocky" Marciano and Rex Layne; Joe Louis and Lee Savold; and Marciano meeting Harry Matthews.

The only surviving excerpt of a documentary on film production in Weimar Germany, featuring the different personalities of several famous directors of the era at work on the set including Fritz Lang, Robert Wiene, and E.A. Dupont.